Cremer Stereographs Collection

Collection

Identifier: FP.2011.003

Staff Only

Scope and Contents Note

As per the collection title, all items housed within this collection are stereographic images (or "stereographs"). The majority were created by Cremer, however there are a limited number of other creators which can be found throughout the collection. While subject matter varies, all items feature items within the city of Philadelphia. The majority of items are directly related to the Fairmount Park System, however there are a limited number of non-park related items, such as the Liberty Bell. The collection is especially strong in images documenting the Fairmount Water Works and Fairmount Park. The collection contains a mixture of lansdcape views of nature and significant buildings and images featuring people interacting with these elements.

Dates

c. 1880

Conditions Governing Access

This collection is open for research.

Conditions Governing Use note

Copyright restrictions may apply. Please contact the Archives with requests for copying and for authorization to publish, quote or reproduce the material.

Extent

2.0 containers

Language of Materials

English

Additional Description

Abstract

Stereographs represent an early form of "three dimensional" photography. Images are duplicated and placed side-by-side in order to create a three dimensional effect, an effect which is greatly enhanced with the use of a stereoscopic viewer. Stereographs were an extremely popular commercial success in the late 19th century, largely because they were easily reproduceable. This created an availability and affordability which attracted a variety of classes. Many of the stereographs featured in this collection were created by James Cremer, who owned and operated James Cremer's Stereoscopic Emporium in central Philadelphia.

Arrangement Note

Items in this collection are generally arranged by location, such as "Strawberry Mansion". There are a few exceptions to this arrangement strategy. Items directly related to the Centennial Exhibition of 1876 are labelled under "Centennial", images of bridges have been separated into an independent series, as are images primarily featuring sculptures, statues, and fountains.